screenshottery:

Computer Chess (2013, Andrew Bujalski, dir.)

visualideologies:

Movement.

10.2.14

"Thailand is surrounded by Burma, Laos and Cambodia, where the horror tales circulate along the border. Even though I grew up in a small town where the land is flat, there were strange animal sounds in a quiet night not unlike those up on the hills. The tales and the landscapes were imprinted in my mind. I always imagine a parallel world with these elements, one where I did not physically live. When I had a chance to make films, which in itself is to create another world, I always resorted to this jungle. The love and fear of mysterious darkness and jungle became my addiction, along with filmmaking…

"Since I made Tropical Malady during my ‘dark’ period—I was at pain with some losses—the film is like my sorrow box. Some of the scenes, including the style and the structure, contain personal references. It may appear scattered to some, but it was the way I saw my memories at that particular time. The experience of making this film was very naive and direct. When we shot in the jungle, I was more aware of how the movie was going. Somehow I felt like I was back in the past making a silent film where there was no man on earth.” — Apichatpong Weerasethakul

biokam:

Setsuko Hara

theartofanimation:

IsuZu

rockastico:

minha vida atualmente

rockastico:

minha vida atualmente

shihlun:

Hou Hsiao-hsien at the film set of The Time to Live and the Time to Die, 1986.
Photo by Chen Hwai-en (陳懷恩)

shihlun:

Hou Hsiao-hsien at the film set of The Time to Live and the Time to Die, 1986.

Photo by Chen Hwai-en (陳懷恩)

taishou-kun:

Yanagi Sakuko 柳さく子 (1902-1963) actress from Shouchiku Kamata 松竹蒲田 studios - 1920s

taishou-kun:

Yanagi Sakuko 柳さく子 (1902-1963) actress from Shouchiku Kamata 松竹蒲田 studios - 1920s

likeafieldmouse:

Alexei Vassiliev - From the series Dis-appearances and Troubled Moments

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